![]() ![]() Then you select which map you want to use depending on what you’re recording. ![]() For example, you might want one map that has rock drum samples assigned to the pads, another that has electronic percussion, another that has Latin percussion, and so on. If anyone knows better, feel free to correct me.ġ) Each map allows you to configure a different set of parameters for your controller. Anyway, here are what I think are the answers to your questions. I was trying to decide whether to sell them and get a modern MIDI controller with faders, knobs, and pads, or just deal with the limitations of what I have, since they’re both excellent keyboards. The manual as most manuals don't sort out this kind of confusion, but tend to stick to the technical side of things, so I'm hoping to hear from someone here who already has a Roland A-Pro (-300, -500 or -800) and uses it with Logic Pro X.Ĭlick to expand.I have a 1990s-era Roland A-90EX and an XP-80, and I looked into this earlier in the year. Maybe someone could explain what they all do, and if I need to select one for general use?Ģ) When do I use the "A-Pro editor" app? Is this only for customizing specialized configurations?ģ) Do I need to configure anything for the A-Pro keyboard within Logic?Ĥ) What are the knobs, faders and pads supposed to do? And do they all have different functionality according to where in Logic you are, which plugin is open etc? one setup specialized for mixing, another one for synth editing etc.). I have no idea which one to choose, or if I need to use it at all.Īre these meant for different ways of controlling Logic (i.e. Yes, the manual talks about pre-configured settings for various DAWs (including Logic), but I find it confusing, more specifically:ġ) the keyboard itself has 4 or 5 CTRL-maps for Logic. ![]()
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